Half Girlfriend movie review: Arjun, Shraddha in a half-baked and a quarter palatable film
This is the means by which Mohit Suri’s Half Girlfriend begins: Madhav Jha (Arjun Kapoor), an understudy from Bihar, battles to communicate in English amid his school meet. Later he feels just half in the same class as the favor Riya Somani (Shraddha Kapoor), who he worships.
While viewing these scenes, it jumped out at me that Half Girlfriend is something of a partner piece to Hindi Medium (the current week’s other discharge). At their center, both movies have a class and dialect boundary. In any case, this Mohit Suri adjustment of the (nauseatingly titled) Chetan Bhagat book is the romantic tale of two individuals who rupture the dialect obstacle and bond over b-ball.
A still from the melody. Picture through Youtube.
A still from Half Girlfriend. Picture by means of Youtube.
Indeed, even till the end I stayed hazy who Madhav is: Around Riya he’s a joker, he’s a manikin in the hands of his flat mate, now and then he’s a kid glad for his personality whose English stays corroded even following three years in a first class New Delhi English Medium organization, and he’s a mother’s kid with regal genealogy and a dream for equivalent training.
The story is told through Madhav’s eyes and keeping in mind that there is an intentionally written in line about instructing the young lady kid, it’s generally about his over the top love for Riya.
Riya’s fantastic games wear and haircuts are more recognizable than her b-ball moves, however it’s sufficient for Madhav. Mainstream, opulent and furthermore harming due to the brutality at home, Riya loses herself in tune. To be right, she sings one English tune – ‘Remain A Little Longer’ – all through the film.
Riya harbors a fantasy of turning into a jazz vocalist in New York. What’s more, what’s Madhav’s fantasy – to be with Riya. In a disgusting scene where she’s resting in his inn room, he goes all psycho on her, prompting the half sweetheart completely saying a final farewell to him. Sliced to her intriguing Madhav to her wedding to rich NRI sort.
Madhav now pitifully mopes around for a considerable length of time after their peculiarly depicted half sweetheart beau relationship dials down to zero. He graduates, comes back to mummy (Seema Biswas) lastly finds a mission – get subsidizing from Bill Gates to extend the family-run all-young men school to incorporate young ladies also.
And after that one day, when he’s in Patna to make an introduction to the Bill Gates Foundation, he chances upon Riya. Riya pushes Madhav with his English dialect introduction to the Foundation, he acquaints her with the place where he grew up Simrao, the school, his suspicious and defensive mother. It appears the half status may is developing into full, till Riya keeps running off once more.
The film remains very near to Chetan Bhagat’s book.
Since I have not perused the book, I didn’t anticipate that Bill Gates will appear in the film (his bespectacled grinning face is superimposed on another person’s neck, accidentally giving us the one roar with laughter minute this film critically required). Nor was I mindful of the substance of Riya’s farewell letter that pulverize Madhav and move him out of his latency to New York City.
The individuals who have perused Half Girlfriend say this is a significant devoted adjustment, and maybe shockingly better than Chetan Bhagat’s novel. I shiver to think how relentless the book more likely than not been given the paper-thin story.
What does half sweetheart even mean? Not companions with advantages, not a three-and-a-half days seven days courses of action.
Possibly it’s portrayed best by Madhav’s roomie Sailesh (Vikrant Massey, a solitary start in dullsville): somewhat more than companion and a considerable amount not as much as beau. Whatevs!
Arjun Kapoor’s demeanors make sudden movements, and the changing length of his facial hair guarantees you see this much more. He’s depicted himself as the “quintessential Chetan Bhagat saint”, yet Madhav Jha is not brave and Kapoor plays him like a simply a yokel and stalker. With respect to the piece of Riya, any twenty-something performer could have pulled off this two dimensional part.
Mohit Suri keeps the account ticking along at an unfaltering pace, however shockingly for a Suri film, the music is a let down. The ensembles uproariously announce “affluent, urban” versus “common, straightforward”.
A lot of exertion has gone into making the b-ball scenes genuine. On the off chance that exclusive some of that had gone into enhancing the discourse, particularly the amazingly ungainly English lines, and Arjun Kapoor’s Bihari highlight.
Half Girlfriend is entirely for aficionados of the book or the two leads, in light of the fact that, best case scenario it’s quarter mediocre.